He has conducted Bari Symphonic Orchestra, Abruzzese Symphonic Orchestra, Betica Symphonic Orchestra in Siviglia, Verdi Orchestra in Salerno, Benedetto Marcello Orchestra in Teramo, Gabrieli Ensemble, Leonardo Leo Orchestra, and many others orchestras, going from Wagner to Mozart, from Bach to Dvorak and Stravinsky with a particular attention to some precious unpublished works of the Neapolitan Eighteenth century (as for example the sacred action “Giuseppe Riconosciuto” by Metastasio/Duni recorded for Bongiovanni).
Specialised in the philological performing, he has founded La Lyra di Anfione, an orchestra playing on ancient instruments which he conducted also in Spoleto in 1999, for he inauguration of the Lyric Season of the Teatro Lirico Sperimentale with Purcell’s Dido and Aeneas. This production was very successful. The public and the artistic director of the theatre, Michelangelo Zurletti, really appreciated it. The reviews have defined it an “enchanting performance”, speaking about a “condutor who was not on the podium but inside the music and the singing, melting into a whole”. (Quirino Principe).
After conducting Bach’s B minor Mass and Pasquale Cafaro’s Stabat Mater, La Cecchina o sia La Buona Figliola by Goldoni/Piccinni which was performed in Bari, coproduced with Teatro Parenti and L’Accademia della Scala in Milan. Thanks to this opera he has been praised by the public, the critics and the chiefs of the most important Italian lyric theatre. Its double Bongiovanni Cd, live, published in 2001, has been wonderfully reviewed by Fanfare, CD Classica, Opera, Radiotre, Opera International, and so on. In 2001 conducts "Tosca" and in 2002 "La Traviata allo specchio" for the Teatro Petruzzelli official season.